We were sitting in the school parking lot, 8am on a foggy October morning. My son occupied the driver’s seat because he’s got his learner’s now, and we are doing the whole he drives to school and we switch in the parking lot bit. He had pulled out his N95 mask to put on before entering the school building. His thumb played at the edge of the folded mask, but he couldn’t pull the sides apart.
I leaned closer to him. “Maybe try another spot and it will be easier.”
He turned his incredulous 16 year old eyes upon me. “I’ve got it, Mom.”
And sure enough, a few seconds later, he pulled the mask open. Before he left the car, and I switched to the driver’s side, he paused. “You know Mom, I made an interesting observation during English MACC practice the other day.”
“Yes?”
“The word ‘mothering’ is just one letter away from ‘smothering’.”
Ouch. The truth hurts.
However, this is child number four, the last one at home. After parenting for over 20 years, I’m getting better at listening, better at being curious about and processing the things my kids say before I respond. It’s been a long, hard road to humility, and I’m not finished, but I’m making progress. Because of that progress, I could say to my kid, “You know what, that’s a good point. We mean well, but sometimes moms tip over into overbearing.”
“Or smothering,” he added.
“Right. I’ll try to remember that in the future.”
He nodded. Before he left the car, I said, “But buddy, I hope you appreciate that I’m way better about smothering than I used to be, and you’re reaping the benefits of that, as number four.” Just ask number one, I thought, but didn’t say.
He shrugged. “Yeah, I can see that.”
We get along pretty well, me and number four. Things are quite chill with just three of us at home now. Which is a good thing, because I’m tired. However, with age comes not only fatigue, but some wisdom. I’m thankful that all of my years of working on respectful, honest communication within my family could pay off on a random October morning. My son spoke to me thoughtfully, and I responded thoughtfully. No yelling, no sarcasm, no hurt.
I’m not saying all that stuff won’t pop up another day. I’ve been doing this gig long enough to know that nothing is ever off the table, and we all, kids and parents, have low days. Those are the days it’s hard to remember that mothering is one small squiggly letter away from smothering.
But I will do my best.
What wisdom can you share, either as a child or a parent? This Word Nerd wants to know!
Ever heard someone use the term “cyber bubble?” How about “filter bubble?” Even more important, have you ever considered that you exist in a “filter bubble?”
Well, I’m here today to tell you that you DO. So do I. And we all need to start popping our filter bubbles. Now.
An important term to recognize: Filter Bubble
Internet activist Eli Pariser coined the term “Filter Bubble“ over a decade ago. According to Pariser, filter bubbles exist because search engines and social media platforms use algorithms to personalize the information we see. That seriously limits our vision of the world. While having a personalized internet experience can be nice, that means the Internet is showing us what it thinks we want to see, or what it wants us to see.It is not showing us what we need to see. And what we need to see is the whole picture. Not just the picture we agree with or are comfortable with. We need to engage with ideas and information that contradict what we already think. And to do that, we need to get outside of our filter bubble.
Another term to know: confirmation bias
According to Psychology Today,confirmation bias happens when we seek out information to justify our stance on something. Because of this, we tend to find information that backs up our ideas. This partially explains why people will believe fake news – because it supports what they already believe or want to believe.
Dr.Shahram Heshmat Ph.D suggests that a great way to combat bias and filter is to look for information that proves your idea wrong. He says, “This is perhaps a true definition of self-confidence: the ability to look at the world without the need to look for instances that please your ego.”
Simmons University has more suggestions for combating filter bubbles, including:
Use the search engine Duck, Duck, Go which does not store your search data and therefore does not affect your search results like algorithm driven models
Check out the site All Sidesto get more balanced news.
Read articles and follow podcasts that present differing opinions and information on the same subject. I’m a fan of The Argument, a podcast hosted by Jane Coastenthat usually features debates between at least two people who have different viewpoints on the same subject. Not only does it give me valuable ideas to consider, it also serves as a model for respectful discussion.
Why it’s important to know and understand filter bubbles and bias
I realize the concept of bias isn’t a huge revelation for many of you. But consider this: Eli Parisier gave his TED Talk in 2011. Way back then he was warning us about the dangers of bias, and we (and the media companies) didn’t do much about it. Eleven years later, we find ourselves in a very hostile and tribal social climate that is dysfunctional at best. To function as an effective democracy, we must be able to discuss different ideas. We must explore and accept multiple possibilities about what might work best for the people of our country. We cannot control what happens in Congress, but we can control what happens in our own homes and our own minds.
We must fight our natural tendency toward bias, and we need to get out of our individual filter bubbles as soon as possible. You probably knew you had a propensity for bias, now you have a way to name it. And do something about it. We can and must take control of the content we consume to be responsible citizens and consumers of media.
What things do you do to avoid the filter bubble and confirmation bias?
I am currently reading Mary Oliver’s collection of essays titled Upstream. They are about nature and creativity and claiming responsibility for this precious life you’ve been given.
In an early essay in the book called “Staying Alive,” Oliver says,
She drives this point home in another essay called, “Power and Time.” According to Oliver, creatives must spend their time not on the ordinary, the everyday. Our focus must be the extraordinary; we must be open and ready to catch moments of inspiration as they come. We must avoid the distractions of the world, and, most importantly, the distractions of our own minds.
Oliver says that when she is paying attention to her creative work, “My responsibility is not to the ordinary or the timely… My loyalty is to the inner vision, whenever and howsoever it may arrive. The most regretful people on Earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power or time.”
That line hit me hard. I have not always been good about attending to my creative power. Thank you, Ms. Oliver, for reminding me to do so.
A graphic novel about the Holocaust might sound scary. But Art Spiegelman’s story about his father’s experiences during World War II uses mice to portray Jews and cats to portray Nazis. It is a clever way to bring history to life for a new generation of readers. Maus won the Pulitzer Prize in 1992 and has been used in social studies curriculum since the 1990s to teach students about the Holocaust.
The Wall Street Journal called Maus “the most affecting and successful narrative ever done about the Holocaust.” In Maus, artist Art Spiegelman gives us two compelling stories woven inside each other. The main story belongs to Spiegelman’s father, who suffered in the German occupation of Poland and was eventually sent to Auschwitz. But alongside that tale, Spiegelman tells the story of his difficult relationship with his aging father, who is stubborn and stingy. At one point, the author laments that by portraying his father accurately, he is making his father fit the “racist caricature of a miserly old Jew.” With blunt honestly, Maus tackles the difficulties of this world, from the horror of the concentration camps to the tragedy of aging and fraught family relationships.
What I liked
Maus uses humanoid animal characters and the graphic novel format to brings the Holocaust to life in a real but not frightening way. It describes violent acts, but isn’t explicit. The black and white comic figures are much less disturbing than the graphic images of corpses I saw in the movie Schindler’s List. (The scenes of the Germans moving bodies to be destroyed in the gas ovens literally made me feel faint.) Spiegelman has chosen a clever and non-threatening way to depict an important and terrible time in history. One that we need to remember.
I like how Spiegelman tells his story within the context of his own fraught relationship with his father. He truly struggled to portray a multifaceted person who deserves our sympathy and was also difficult to understand. Suffering in Auschwitz didn’t make his father particularly noble or saint like. He was a flawed human like everyone else. Spiegelman nails this juxtaposition quite well, and forces us all to think about how we must accept people in total, both the good and the difficult.
What I didn’t like
I am not a fan of the graphic novel format. I prefer more prose and deeper insight into character thoughts and motivations. However, I appreciate that for 21st century students and young adults, the graphic novel is an effective way to convey history. I’m surprised more authors aren’t seizing on this genre to tell more about our history.
Should Maus be banned?
No. No book should be. Maus was banned by the Tennessee school district and has been challenged elsewhere for violent content, profanity, and nudity. Spiegelman’s mother Anja committed suicide when Spiegelman was a teen. He depicts the suicide as a comic book within the story, showing his mother (as a mouse) lying naked in a bathtub. There are basic breast shapes with nipples on the mouse character of his mother. But it is a mouse.
There is some profanity. Nazis used profanity with their Jewish prisoners. Spiegelman uses profanity with his father, but it’s not prevalent in the book, and it’s not just there for shock value. When Spiegelman’s character swears at his father for burning diaries from the war, his father reprimands him, saying “even to your friends you shouldn’t talk like this.” Spiegelman’s character later apologizes. The profanity has context.
Maus also depicts the violent treatment of Jews by the cat character Nazis. There is kicking and beating, as well as a panel with characters that have been hanged. But again, they are mice. It’s not graphic. It’s not bloody.
But here’s the thing. Nazis did hang people and kill children. We need to know that. We need to remember that. And Spiegelman presents this truth in an appropriate way for tween and teen readers.
Know what else the Nazis did? They banned and burned books that didn’t conform to the ideology they were pushing. That’s something else to remember.
Recommendation
If you enjoy history, biography, or graphic novels, you should definitely read Maus and the second book in the series, Maus II. And if you believe that books unite us and censorship divides us, you should pay attention to the activity of your local government and school board and do all you can to ensure access to information and civil public discourse.
What banned book have you read and enjoyed lately?
As a self proclaimed word nerd and book blogger, it’s no surprise that I celebrate books and reading. If you have forgotten, or, heaven forbid, never embraced the idea that reading is important, let me give you a few things to ponder.
Benefits of reading
First, reading books about communities, places, and times other than what we know helps us learn about and understand other people. Reading can be an especially effective way to explore the world when combined with discussion in a safe place and when led by teachers or educated mentors who can guide discussion, challenge assumptions, and facilitate processing. Studies have shown that reading increases empathy.
When I was a freshman in high school, my English class studied Night by Elie Wiesel. Wiesel’s account of his teenage years at Auschwitz made the reality and tragedy of Nazi concentration camps come alive in a way that my history textbook could not.
One judge championed the power of books to foster empathy in a Virginia court case in 2017. The judge required teens found guilty of painting Swastikas on an historic black schoolhouse to read a book a month for twelve months and write reports on what they learned. The students had to choose from a list of books, including Night by Elie Wiesel, I Know Why the Caged Bird Sings by Maya Angelou, and The Kite Runner by Khaled Hosseini. One of the teens later wrote in a report that he hadn’t understood the significance of swastikas until he read books from the list.
In addition to promoting empathy, reading books helps us explore complicated ideas. The best books examine meaningful themes like love, loss, independence, oppression, death, grief, heroism. John Green’s YA novel Looking for Alaska explores how people from different religious traditions explain and process grief. His novelThe Fault in Our Stars follows two teenagers with cancer who are contemplating what matters in life and what happens after death. The Charles Dickens classic A Tale of Two Cities, set during the Reign of Terror of the French Revolution, depicts how long standing oppression undermines humanity and society. Born a Crime, an autobiography by Trevor Noah, depicts the challenges of growing up as a mixed race child in South Africa during the aftermath of apartheid, state sanctioned racism. All of these books helped me broaden my understanding of being human.
Reading and discussing books also promotes critical thinking skills. Readers must learn to differentiate fact from opinion. They must understand the difference between literal and figurative language. And with enough experience, they will learn to perceive the message or question the author has woven into the text for consideration. In a democratic, free society, we need to be able to read about, think about, and discuss ideas. Reading books helps us do that.
Finally, and simply, reading cultivates imagination and offers escape. As a teen, I loved curling up under my covers with a good book to travel away from the tension that plagued my house. The Hobbit, a fantasy adventure by JRR Tolkien, whisked me away to a world characterized by bravery and strength. It was a welcome break from a home troubled by chronic illness and alcoholism.
Why some want to limit reading
For decades, people, often parents, have expressed concern about certain books. You can find detailed information about challenged and banned books at the website of the American Library Association. Concerns about books often center around the age appropriateness of materials. Typical reasons for challenges include profanity, sexual content, religious themes, or violence.
Another reason individuals or groups try to limit access to books is fear that particular titles will normalize behavior viewed by the challengers as unacceptable. For example, groups have targeted books with LGBTQ themes and characters because they don’t want children exposed to sexual behavior and ideas that are “out of the norm” or do not align with their personal or religious beliefs. There seems to be an assumption that if people, particularly children, read something, they will automatically accept and embrace it. This does not align with the idea that reading encourages critical thinking.
On September 16, the ALA released data about book banning so far in 2022. Between January 1 and August 31 this year there were 681 attempts to ban or restrict library resources, and 1,651 unique titles were targeted. These numbers break the records set in 2021. The ALA is particularly concerned because “more than 70 percent of the 681 attempts to restrict library resources targeted multiple titles. In the past, the vast majority of challenges to library resources only sought to remove or restrict a single book.” ALA President Lessa Kananiʻopua Pelayo-Lozada is worried about this trend.
The dangers of limiting access to books
I understand there are themes, concepts, or ideas that adults might want to protect children from. I was the mom who told my kids they couldn’t read the later Harry Potter books because I was worried the themes were too dark for my 1st and 3rd graders. (Fifteen years later, my kids still talk about this and why they believe it was unnecessary.) I also hid my copy of Looking for Alaska because I didn’t like the sexual themes or the provocative behavior of the main female character.
What I forgot in those years was that when I was in middle school, I devoured the Ken Follett spy novels I found on my parents’ bookshelf. Those had plenty of sex and violence, and yet, I made it to adulthood without acting like Follett’s lethal and unscrupulous spy, “The Needle”. The fear of immediate indoctrination assumes a small mind; the limiting of access to books promotes small thinking.
The negative consequences of banning books outweigh any desired benefits. Banning books does not promote critical thinking – it eliminates it. We all, especially children, need exposure to ideas to develop a balanced view of the world. The assumption that reading will lead to indoctrination is flawed and fearful. Ironically, forbidding certain books to cultivate a singular cultural narrative is just indoctrination in a different direction.
Also, limiting access to books means that a child who might benefit from reading about people who are different in any way- be it disabled, gay, depressed, anxious, oppressed- will continue to either misunderstand other people, or worse, feel isolated and wrong because they cannot find other people to relate to. Additionally, the uproar about certain titles has left teachers feeling scared and uncertain about what to teach in the classroom. Finally, the trend toward targeting large numbers of books that address a particular theme, for example racism or sexual identity, will affect what titles and topics will be published in the future.
All of these consequences promote silence. Not the discussion of ideas, not the development of empathy, not the ability to critically evaluate. In a country that values freedom, we cannot accept silence and fear. We must do all we can to promote discussion and respectful debate.
Learning more about books
The American Library Association is celebrating Banned Books Week from September 18-24 with the theme “Books unite us. Censorship divides us.” Visit the website or your local library to learn more about what books are being targeted and the effects of banning books.
Why do you think access to books should or should not be limited? Let’s have a discussion!
I’ve been wanting to read A Tale of Two Cities by Charles Dickens for a long time. My daughter raved about it, and, after visiting Paris and reading the historical fiction novel The Women of Chateau Lafayette, I had to learn more about The French Revolution. Dickens did not disappoint. He shed light not only on the dark days of The Reign of Terror, but also have relevance for our social structures and challenges in the 21st century.
I’ve read other pieces by Dickens, including Great Expectations [link] They tend to be DENSE. However, Dickens wrote A Tale of Two Cities as a series, with installments published at regular intervals. This format probably compelled him to write in shorter chapters with what we call in the writing business a “read on prompt” at the end of each segment. The result is a story with masterful pacing, fascinating character development, and genuine surprises.
Premise
The two cities in Dickens’ classic are London and Paris. The cast features an odd assembly of characters. The elderly Doctor Manette, recovering from years of unlawful imprisonment in the Bastille. Manette’s long estranged, loving daughter Lucie. Her fiery and devoted maid Ms. Pross. Throw in the ruthless devotee to the French Republic, Madame Defarge, and the savage “Lady Guillotine”, and you have the makings for a riveting story that highlights the very best and the very worst of human nature.
What I liked
Dickens uses personification, imagery, and irony to create a tense and intelligent environment for his story. In an early scene in the book, characters scramble to sip up red wined spilled on a cobblestone street. The spreading red liquid foreshadows the blood that will run in the streets of Paris during the Reign of Terror.
Dickens also does an excellent job of developing an ensemble cast. We learn so much about them – from their bristling hair to their troubling drinking habits. I found many of the characters compelling and interesting— something that distinguishes A Tale of Two Cities from most other classics I’ve read. (There just aren’t that many characters I LIKE in classics.)
The language and dialogue are poetic and literary without being unreachable. Dickens doesn’t over explain. He drops hints and lets the reader figure things out. Even though the story takes place during a terrible time in history, the observations and clever banter of the characters often made me laugh out loud.
Most importantly, and probably why this novel remains such an important book in the cannon of classic literature, A Tale of Two Cities gives thoughtful consideration to social class and the consequences of merciless oppression. Dickens demonstrates the very best and very worst ways men choose to treat their fellow men- not just what they do, but how they get there. The themes of A Tale of Two Cities are still relevant today as we come to terms with how we in America have treated marginalized populations for centuries. And what we should do about it moving forward.
Word nerd notes
I listened to audio book which featured a fantastic performance by Simon Callow. He places emphasis in just the right places to accentuate the humor and the horror of A Tale of Two Cities.
Do you have a classic you’d like to recommend? Read any other Dickens? What did you think?